CinemaCazacu Cătălina
Main achievement
Actress. She managed to be filmed in 4 Hollywood movies
About
Cătălina Cazacu is a European actress, singer, and songwriter born on June 18, 1995, in Chișinău, Republic of Moldova, with an impressive career in international cinema and television. She made her debut in season 3 of the series "Killing Eve," playing the role of young Dasha, followed by appearances in productions such as "The Power" (where she played Evelina, directed by Reed Morano for Amazon Prime) and "Casualty" (as Alexandra Enescu for BBC). A graduate of East 15 Acting School in London in 2019, with a BA in Acting (International) and CertHE Theatre Arts, Cătălina combines acting with music under the name Calia, releasing her own compositions, and explores profound themes such as "seeing the unseen" and the metamorphosis of the soul. Although the query indicates the United States as the primary location of activity, her career unfolds predominantly in Great Britain and Europe, with residences in London, Chisinau, and options in Bucharest, but with roles in globally accessible projects for the American public through platforms like Amazon Prime and BBC America. She collaborates with agencies such as Harvey Stein Associates and is involved in theater, including the Moldovan troupe Teatrul Fără Nume, where she is currently active, as well as in international tours with plays like "Mahamaya Electronic Devices" by Iwan Wyrypajew and "Sorry for my English" by Aleksandr Špilevoj. Recently, she launched the online spiritual platform Quantic Yin, a space dedicated to the exploration of spirit, soul, and body. On a personal level, Cătălina, a Moldovan and Romanian citizen, speaks fluent Romanian, English, and Russian, with varied accents, and possesses diverse skills such as aerial yoga, boxing, Pilates, and contact improvisation dance. With a height of 166 cm, black eyes, and brown hair, she specializes as a model and theater actress, being prepared for projects in the EU. Although detailed information about her family is missing from public sources, her trajectory reflects a periodic return to Moldova, where she combines performing arts with creative initiatives, inspiring through versatility and dedication in the context of international cinema.