Burdujanu Adela
Main achievement
Painter. Recipient of the Joel Dabin Prize
About
Adela Burdujanu, a Moldovan painter born in 1974 or 1978 in the Republic of Moldova, has distinguished herself through innovative artistic creations, exploring the possibilities of plastic representation in painting and drawing. A graduate of the Academy of Music, Theatre and Fine Arts in Chișinău, Faculty of Visual Arts, and holder of a master's degree in Fine Arts from Paris 1 Panthéon-Sorbonne University, she currently lives and works in France, where she teaches painting and drawing. Her works, such as "Déviation", "Point de vue", or "Pyramides", sold on international platforms, capture various vibrations of urban life, with sudden and violent gestures from up close, transforming into the noise of metropolises from a distance, challenging the perception of time and space. Her career is marked by numerous awards and exhibitions in France, including the Joël Dabin Prize of the Taylor Foundation in 2015, the Univers des Arts Prize at the Military Painters Salon in 2015, the Military Governor of Paris Prize in 2017, and her appointment as Peintre des Armées in 2020. A member of the Taylor Foundation, the Society of French Artists (Sociétaire at Art Capital, Grand Palais), the Academy of Arts-Sciences-Letters (silver medal), and the Elf Genius Fundació in Spain, she has exhibited at the Fondation Taylor (2017), Galerie Emergence, Aralya, and galleries such as Art et Collection in Colmar. She is represented by ADAGP for copyright, with works auctioned at international auctions, reflecting the fusion of art and daily life. Although detailed information about her personal life or family is not publicly available, Adela Burdujanu incorporates personal memories and impressions into her work, creating doubt between the real and the imaginary through "varied vibrations" that capture moments in time. Active in the context of French contemporary art, influenced by her Slavic roots, she contributes to the promotion of Moldovan artists on the international stage, destabilizing perceptions by bringing the outside into the inside of the canvas.
